The School of Music offers the Master of Music degree with areas of emphasis/tracks in
Performance, Conducting, Kodály Pedagogy, Musicology, and. Theory/Composition.
ADMISSION REQUIREMENTS
Students seeking admission to the graduate program in music must submit the
Graduate Studies Application for Admission with the one-time application fee to the
Office of Graduate Studies, official transcripts of all college-level work (including the
transcript that shows the date the undergraduate degree was conferred), and official
GRE scores. In addition, the following are required:
1. Students must submit all required School of Music application materials, including
three letters of recommendation. The School of Music application materials
are available from the School of Music.
2. Students seeking admission as Performance or Conducting majors must pass
an entrance audition administered by the appropriate faculty member or group of
faculty members in the area of study. Students seeking admission for majors in
Kodály Pedagogy, Theory/Composition, or Musicology must complete an admission
interview with the appropriate faculty member or group of faculty members
in the area of study.
3. A submission of scores from the Graduate Record Exam (GRE) is required
(including scores for the Graduate Music Diagnostic Exam – see below). For
a final admissions decision, GRE scores do not constitute the sole criterion for
consideration of the applicant, nor do GRE scores constitute the primary criterion
to end consideration of an applicant. The applicant’s test scores will be compared
with those of other applicants from similar socioeconomic backgrounds to the
extent that those backgrounds can be properly determined and identified by the
School of Music’s admissions process.
4. Transcripts from all previous college level academic work are required and should
be submitted to the Office of Graduate Studies. A bachelor’s degree in music
or a demonstrated equivalent level of accomplishment is required. Students not
possessing a bachelor’s degree in music which is accredited by the National
Association of Schools of Music will be evaluated through the Graduate Music
Diagnostic Exam.
5. A final admissions decision is based upon an aggregate evaluation of all application
components. No specific weight is assigned to any one factor.
GENERAL DEGREE REQUIREMENTS
1. All students pursuing graduate degree programs must take and satisfy the
Graduate Music Diagnostic Exam. Included in this exam are questions in music
history, music theory, and aural skills. The purpose of the Graduate Music Diagnostic
Exam is to evaluate each student’s general musical knowledge, identify
deficiencies, and determine the potential for successful academic completion of
the desired graduate music degree program.
2. Leveling coursework (if necessary) will be determined by the Graduate Advisor
on the basis of the Graduate Music Diagnostic Exam.
3. Graduate Ensemble enrollment is required each semester in which a full load is
carried and/or a student is in residence.
4. Students who graduate with an emphasis in Musicology should have a reading
knowledge in either German or French.
5. The Master of Music degree program requires a minimum of 30 hours beyond
the undergraduate degree. An emphasis in Kodály Pedagogy does not require
a thesis. A thesis is required for the emphases in Musicology and Theory/Composition.
Once enrolled in a thesis class, a student must be continually enrolled
until graduation.
6. The emphasis in Performance is offered in piano, voice, and all orchestral instruments,
including saxophone and euphonium.
7. Students specializing in vocal performance within Performance emphasis must
be proficient in Italian, German, and French diction.
8. Students in the Theory/Composition emphasis must be able to demonstrate
piano competence.
9. The emphasis in Conducting is available with concentrations in Choral, Orchestral,
and Wind emphases.
10. Successful completion of a comprehensive oral examination is required for
graduation. This exam is administered by a committee of three Music faculty.
Oral examination committees are appointed by the Graduate Advisor in consultation
with the student. Students must be enrolled the semester in which they take
comprehensive examinations.
SPECIFIC TRACK REQUIREMENTS
Performance Track, 30 hours |
MUS 530 |
Analytical Techniques (3 hrs.) |
MUS 698 |
Research Techniques (3 hrs.) |
Additional course from either Music History, Music Theory, or Music Education (3
hrs.) |
MUS 681X |
Recital I (3 hrs.) |
MUS 682X |
Recital II (3 hrs.) |
MUS 501X |
Applied Music (4 hours) |
MUS 588X |
Applied Literature (3-6 hours) |
MUS 598X |
Applied Pedagogy (3 hours) |
ENS 512 |
Graduate Ensemble (2 hours) |
Electives |
from Music History, Music Theory, Music Education, or other approved
course (0-3 hours) |
Conducting Track, 30 hours |
MUS 530 |
Analytical Techniques (3 hrs.) |
MUS 698 |
Research Techniques (3 hrs.) |
Additional course from either Music History, Music Theory, or Music Education (3 hrs.) |
MUS 681X |
Recital I (3 hrs.) |
MUS 682X |
Recital II (3 hrs.) |
CND 501X |
Applied Conducting (4 hours) |
MUS 588X |
Applied Literature (3-6 hours) |
MUS 598X |
Applied Pedagogy (3 hours) |
ENS 512 |
Graduate Ensemble (2 hours) |
Electives |
from Music History, Music Theory, Music Education |
Kodály Pedagogy Track, 30 hours |
MUS 530 |
Analytical Techniques (3 hrs.) |
MUS 698 |
Research Techniques (3 hrs.) |
Additional course from either Music History, Music Theory, or Music Education (3 hrs.) |
MUS 521 |
Advanced Solfege I (2 hrs.) |
MUS 522 |
Advanced Solfege II (2 hrs.) |
MUS 523 |
Advanced Solfege III (2 hrs.) |
MUS 534 |
Kodály Pedagogy I (3 hrs.) |
MUS 535 |
Kodály Pedagogy II (3 hrs.) |
MUS 536 |
Folksong Analysis (3 hrs.) |
ENS 512 |
Graduate Ensemble (0-2 hrs) |
Electives |
Graduate courses in music (4-6 hrs.) |
Musicology Track, 30 hours |
MUS 530 |
Analytical Techniques (3 hrs.) |
MUS 698 |
Research Techniques (3 hrs.) |
Four additional 3 hr. graduate courses in Music History (12 hrs.) |
One additional 3 hr. graduate course in Music Theory (3 hrs.) |
ENS 512 |
Graduate Ensemble (2 hours) |
Electives |
from Music History, Music Theory, Music Education, or other approved course (0-3 hours) |
MUS 699 |
Thesis (3 hrs.) |
Theory/Composition Track, 30 hours
(Students in the Theory/Composition track must choose either a Theory emphasis or
Composition emphasis.)
|
MUS 530 |
Analytical Techniques (3 hrs.) |
MUS 698 |
Research Techniques (3 hrs.) |
MUS 563 |
Pedagogy of Theory (3 hrs.) |
MUS 567 |
Score Reading (3 hrs.) |
CMP 501X |
Applied Composition (2 hrs.) |
One additional 3 hr. graduate course in Music History (3 hrs.) |
Electives |
Music courses other than Theory/Composition (4 hrs.) |
Additional Courses depending on emphasis – see below (9 hrs.) |
Additional Courses for Theory emphasis: |
Two additional 3 hr. graduate courses in Music Theory (6 hrs.) |
MUS 699 – Thesis (3 hrs.) |
Additional Courses for Composition emphasis: |
Six (6) additional hours of CMP 501X |
MUS 681X – Graduate Recital (3 hrs.) |
Up to 9 hrs. of upper division (400 level) undergraduate courses may be taken to satisfy graduate degree requirements if similar courses were not completed in undergraduate studies. These courses include:
Upper Division Courses |
MUS 464 |
Seminar in Composition |
MUS 474 |
Twentieth-Century Musical Styles |
MUS 465 |
Counterpoint and Analysis |
GRADUATE MUSIC COURSE DESCRIPTIONS
APPLIED MUSIC INSTRUCTION |
BSN 501X Bassoon |
EUP 501X Euphonium |
PNO 501X Piano |
TUB 501X Tuba |
CEL 501X Cello |
FLU 501X Flute |
SAX 501X Saxophone |
VLA 501X Viola |
CND 501X Conducting |
HRN 501X Horn |
STB 501X String Bass |
VLN 501X Violin |
CLR 501X Clarinet |
OBO 501X Oboe |
TRB 501X Trombone |
VOI 501X Voice |
CMP 501X Composition |
PER 501X Percussion |
TRP 501X Trumpet |
|
Applied Music Fees. Students enrolled in Applied Music Instruction are required to
pay fees related to the number of credit hours enrolled at the time of registration.
OTHER MUSIC COURSES
ENS 512 GRADUATE ENSEMBLE. Participation in a musical ensemble at the graduate
level. Credit 1.
MUS 521 ADVANCED SOLFEGE I. A comprehensive course in aural development,
including sightsinging, dictation, and keyboard techniques (using relative solmization).
Credit 2.
MUS 522 ADVANCED SOLFEGE II. An advanced course in aural development including
sightsinging, score reading, dictation, and conducting (using relative solmization).
Prerequisite: MUS 521. Credit 2.
MUS 523 ADVANCED SOLFEGE III. An advanced course in aural development
including sightsinging, score reading, dictation, and conducting as applied to music
from various styles and periods (using relative solmization). Prerequisite: MUS 522.
Credit 2.
MUS 530 ANALYTICAL TECHNIQUES. Advanced techniques in the analysis of music
from all historical periods. Emphasis is placed on the ability to distinguish various
stylistic idioms and to verbalize about the harmonic, rhythmic, melodic, and structural
details of music. Credit 3.
MUS 534 KODÁLY PEDAGOGY I. A course in curriculum development, teaching
techniques, and materials for general music in the elementary school according to
the Kodály concept. Credit 3.
MUS 535 KODÁLY PEDAGOGY II. Advanced and specialized work on problems and
application of the Kodály concept in the schools. Prerequisite: MUS 534. Credit 3.
MUS 536 FOLKSONG ANALYSIS. A general survey of American folk literature with
emphasis upon analytical techniques for selecting musical material for classroom
use. Credit 3.
MUS 563 PEDAGOGY OF THEORY. A general review of undergraduate theory, with
an emphasis on the methods of presenting material to secondary students, and also
to freshman and sophomore classes. Comparative analysis of textbooks commonly
used in these areas is emphasized. Credit 3.
MUS 567 SCORE READING. The course emphasizes specialized aural development,
functional keyboard facility, and proficiency in reading orchestral, band, and choral
scores. Credit 3.
MUS 568 SEMINAR IN SPECIAL PROBLEMS. Advanced and specialized work in
Music Education, orchestration, composition, theoretical research, and instrumental
and choral technology is emphasized. Prerequisites: Approval of the Graduate Advisor.
Credit 3.
MUS 582 SYMPHONIC LITERATURE. A systematic survey of literature for the symphony
orchestra from its establishment to the present, with emphasis on standard
works as they exemplify changing stylistic trends. Credit 3.
MUS 588X APPLIED LITERATURE. Advanced study of literature for the various applied
music areas. Individual research projects and class performance. ( Two enrollments
allowed, 3 hrs. each).
MUS 591 CONCEPTS OF MUSIC EDUCATION (3 hrs). Application of philosophy,
psychology, and aesthetic principals of music education. Credit 3.
MUS 592 HISTORY OF MUSIC EDUCATION IN THE UNITED STATES. An historical
study of trends in music education in the United States with emphasis on important
events that shaped the evolution of music teaching in American public schools. Credit 3.
MUS 593 ASSESSMENT IN MUSIC LEARNING. A study of statistical measures as
applied to music testing. Emphasis is placed upon existing aptitude and achievement
tests used in the field of music. Credit 3.
MUS 598X APPLIED PEDAGOGY. Advanced study in the pedagogy for the various
applied areas. Credit 3.
MUS 681X RECITAL I. A one hour solo performance reflecting high standards of artistic
achievement and involving both research and applied study requisite to its success.
The first of two recitals for performance and conducting specializations. Credit 3.
MUS 682X RECITAL II. A one hour solo performance reflecting high standards of artistic
achievement and involving both research and applied study requisite to its success. The
second of two recitals for performance and conducting specializations. Credit 3.
MUS 698 RESEARCH TECHNIQUES. Emphasizes efficient use of standard library
materials and bibliographic sources, and the development of effective writing skills.
Credit 3.
MUS 699 THESIS. Credit 3.